Pulcinella has always been associated with Naples. And as I mentioned in my previous post, this commedia dell’arte character is a symbol of the city and it’s embedded in the cultural fabric of the Napoletani. It is logical then, that …

00023: IL MUSEO DI PULCINELLA Read more »

Every semester I teach one or two “Introduction to Theatre” classes. Within the class, at some point I get to talk about Italian Theatre during the Renaissance period. One aspect we discuss in class is Italian architecture, literature, and inventions …

00020: IL TEATRO OLIMPICO Read more »

One of the last plays I saw during the Carnevale was “Il carro dei comici.” This production was presented by Compagnia Pantakin da Venezia, which is the same company that presented VENEZIA MILLENARIA. This company is also responsible for the …

00019: IL CARRO DEI COMICI Read more »

The commedia dell’arte festival during the Carnevale, was an international event that also included two different countries: France and Rumania. Because I arrived during the second week of the festival, I missed the theatre presentation from Rumania, which only participated …

00017: IL TRIONFO DI ARLECCHINO Read more »

If you are a person who is tuned into Commedia dell’arte, like me, as you walk throughout the city of Venice, you will soon noticed the many signs of this 17th-18th century acting style. It is all over the place. …

00016: THE SIGNS OF COMMEDIA DELL’ARTE IN VENICE Read more »

COMMEDIA INCOMPIUTA translates to “Unfinished Comedy.” The title is a reference to the philosophy that a play isn’t complete until an audience sees it. And I, being a playwright myself, identify with such philosophy; I had written many plays that …

00015: COMMEDIA INCOMPIUTA Read more »

Carlo Goldoni was an Italian playwright born in Venice in 1707. When he was a young man, his father, a doctor, moved to Perugia and then to Remini. It was there that Carlo Goldoni studied philosophy and law, fields that …

00014: LA CASA DI CARLO GOLDONI Read more »